Nancy Yuen Celebrates Her Career As An Opera Singer

In the lead-up to the Singapore Lyric Opera’s (SLO) Gala Concert which celebrates Nancy Yuen’s operatic career, I spoke to the soprano about her career and plans for SLO as artistic director. 

What was your first encounter of opera, and is there a specific event
that made you decide to become a professional opera singer?

I have always enjoyed singing on stage since the age of 7. As for opera performance, my first encounter was when I was around 20 years old—I was invited to sing one of the principal roles in a short opera called Le Cinesi by Gluck to orchestral accompaniment, which I thoroughly enjoyed. Since then, I decided to pursue my interest in the most serious form  by enrolling as a student at the Royal Academy of Music.

What are the challenges of being an opera singer today as compared to
when you first started out?

YouTube and the internet did not exist when I first started. We were all trained to attend as many performances as possible to watch the top artists at work,  observe the intricacies of stage craft, and absorb the whole ambiance inside the theatre during the performance.

Nowadays, a lot of singers watch opera performances on the internet and listen to the electronic sound coming out of the computers and mobile phones. They end up paying more attention to the facial expressions of the singers rather than the artistry. Unfortunately, as technology progresses, development of live performing arts somehow suffers as people have a difference preference to watching theatrical performances.

If you can only pick three highlights of your 30-year career, what
would it be?

My debut performance  which marked my transition from a student to being the prima donna in Madama Butterfly in 1988 with the Welsh National Opera. That was my biggest breakthrough.

Second, the standing ovation at the 4500-seater Royal Albert Hall in 2000, also as Madama Butterfly.

Another highlight was singing my first Wagnerian role as Senta in Der Fliegende Holländer in Singapore in 2016, which was tremendously thrilling. 

Under your leadership, SLO has been an advocate of bringing opera to
the masses. Why do you think it is important for more people to
experience opera?

Opera is the most complete art form of theatrical experience, with music, drama, sets, costumes, and lighting. They all come together to bring the audience into intricate worlds created by the composers and librettists with the help of directors, conductors, and singers.

We all need a little escape to the imaginary world from time to time. What’s more rewarding than to live through the experience of someone else on stage, shown through music and drama,  and sharing their passion while watching the tragedies or comedies unfold?

How did you go about planning the repertoire for this concert? Any
highlights that the audience should look out for?

All the music chosen in the concert are  from operas I have performed over the years. Many of them are iconic pieces that have been performed many times all over the world. They include highlights from Madama Butterfly, La Traviata, Carmen and La Boheme. The audience are guaranteed for a real treat as they will know most of the tunes and stories.

Any big plans for SLO in the coming years?

SLO will continue the work to promote operas, mounting large-scale opera productions, and doing more and more outreach programmes.

Our SLO Leow Siak Fah Artists’ Training Programme is going from strength to strength. We currently have nine participants working regularly to bring opera to the public, and helping more people appreciate the art of opera.


Gala Concert 2018: A Pearl Celebration for Soprano Nancy Yuen will be held on 9 November 2018 at the Esplanade Concert Hall. Tickets from $40 via Sistic.

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Jason Lai on Conducting Singapore Lyric Opera’s Gala Concert 2018

The main theme for this year’s Singapore Lyric Opera (SLO) Gala Concert is to celebrate the 30th anniversary of  Nancy Yuen, SLO’s artistic director, being in the opera scene.

I spoke to the concert maestro, Jason Lai, to find out more about the concert and his thoughts on our local opera scene. 

From a conductor’s point of view, what qualities should an opera singer ideally have?

I love working with singers and the best ones are able to conduct the conductor. They have the ability to lead and be led, while being absolutely strong in their musical convictions. In the opera house, a singer also needs to able to act well and project their voice to the back of the hall without the need for amplification. It’s very difficult—try running across a stage, grabbing a sword, running at someone, while singing as if you life depended on it. And all this is done on a stage that is raked (sloped downwards toward the audience). This is not easy!

With several smaller opera companies arriving on the local scene, how would you describe Singapore’s opera scene? What do you think is lacking?

It’s quite an exciting time on the local opera scene, and I’m glad that opera is beginning to take off in Singapore. I think it’s largely a question of funding; opera is an expensive business and all those sets, costumes, and orchestras don’t come cheap. But when it all comes together, it’s thrilling.

The question is how do you get an audience to come along with you as you explore the world of opera? What would it take to build that audience? I’ve always been a huge proponent of musical education, and I often talk about music in concerts before I conduct it.  So  it’s also a question of how could we guide the audiences more, and help them grasp what they are seeing and hearing? There’s a culture of Chinese opera here in Singapore that has a strong following. The challenge is to find a way to do the same for Western opera. How do we make it more accessible and attractive? This takes a lot of effort and outreach.

Are there any artistic challenges when it comes to conducting this concert? Is there a particular piece in the concert’s repertoire that excites you?

There are always going to be artistic challenges in any concert. When you put on an opera gala, you’ll have singers, orchestra, and chorus, and that can be tricky to get all of these forces working together. Galas are also tricky in terms of performing music from many composers and that means being sensitive to different styles. There are many chunks of Verdi and Puccini that I will be looking forward to conducting for the first time.


Gala Concert 2018: A Pearl Celebration for Soprano Nancy Yuen will be held on 9 November 2018 at the Esplanade Concert Hall. Tickets from $40 via Sistic.

[Listing] Singapore Lyric Opera’s 25th Anniversary Gala Concert

SLO 25

This November, Singapore Lyric Opera (SLO) is excited to celebrate its 25th anniversary in the Esplanade Concert Hall with its greatest Gala Concert yet.

In celebration of this momentous occasion, multi-award winning local conductor, Joshua Kangming Tan, will lead the orchestra and singers in a night to remember with highlights and excerpts from over 20 operas staged by SLO in the last quarter century from the great composers – Mozart, Puccini, Lehar, Verdi, and including Singapore’s own, Leong Yoon Pin.

After 25 successful years of presenting some of the best western operas, SLO celebrates its silver jubilee with a sumptuous programme put together by Nancy Yuen, SLO’s first Honorary Artistic Director, reprising her role as the lead soprano for this year’s concert.

Joining Nancy Yuen on the stage will be some of the region’s best opera singers including, internationally acclaimed South Korean tenor, Lee Jae Wook and veteran Singaporean mezzo-soprano, Anna Koor. The line-up will also include two baritones extraordinaire, South Korean Song Kee Chang and our very own, Martin Ng.

Some of the excerpts and highlights include:

Hai già vinta la causa from Mozart’s Le Nozze di Figaro

E lucevan le stele from Puccini’s Tosca

Votre toast from Bizet’s Carmen

Les voici from Bizet’s Carmen

Che gelida manina from Puccini’s La Bohème

O soave fanciulla from Puccini’s La Bohème

Vogliatemi bene from Puccini’s Madama Butterfly

Nessun dorma from Puccini’s Turandot

Catch SLO’s 25th Anniversary Gala Concert on 13 November 2015 at Esplanade Concert Hall. For more ticketing information, visit Sistic.