[Listing] Singapore Lyric Opera Sings of Nature and Hope at Opera in the Park

The Singapore Lyric Opera (SLO) is proud to present Opera in the Park for the 12th consecutive year on 15 June 2019, Saturday, at 5.30 p.m. The beautiful setting of Shaw Foundation Symphony Stage at the Singapore Botanical Gardens complements this year’s theme, “Nature and Hope”, as families and friends can indulge in a nice picnic while immersing themselves in opera music. 

SLO is grateful for the continuous support of Singapore Botanical Gardens and SPH Gift of Music in bringing opera to  a wider audience.

Audience can expect to enjoy joyful and uplifting arias from several classics such as Mozart’s Le Nozze di Figaro, Delibes’ Lakmé, Puccini’s Madama Butterfly, J. Strauss’ Die
Fledermaus, Verdi’s Aida and La Traviata.

The audience will also get to enjoy a mini preview of SLO’s upcoming production, Bizet’s Carmen. Jonathan Charles Tay will be singing  “La fleur que tu m’avais”, and Martin Ng will perform the rousing aria, “Votre toast”.

 The concert will also feature soloists from the SLO–Leow Siak Fah Artists Training Programme: Cherie Tse, Zhang Jie, and Chieko Sato. Regular  attendees of Opera in the Park will also be pleasantly surprised by new faces Sim Weiying and Joyce Lee who will be performing a couple of solo arias.

Joshua Tan, an up-and-rising conductor from Singapore, will be leading the SLO Orchestra. The SLO Chorus, Youth Choir, and Children Choir will also make a guest appearance at the concert together with their respective conductors, Terrence Toh and Rose Loh.


OPERA IN THE PARK: Nature & Hope
Conductor: Joshua Kangming Tan
Soloists: Cherie Tse, Zhang Jie, Chieko Sato, Joyce Lee Tung, Sim Weiying, Jonathan Charles Tay, and Martin Ng
SLO Chorus and Youth Choir Conductor: Terrence Toh
SLO Children’s Choir Conductor: Rose Loh

Programme

Mozart’s Le Nozze di Figaro
• Overture
• Giunse alfin il momento (Sim Weiying)
• Aprite presto aprite (Cherie Tse, Joyce Lee)
• Sull’aria (Cherie Tse, Zhang Jie)
Delibes Lakmé
• The Flower Duet (Joyce Lee, Chieko Sato)

Wagner’s Lohengrin
• Bridal Chorus (SLO Chorus)
J. Strauss Die Fledermaus
• Im Feuerstrom der Reben (Sim Weiying, Jonathan Charles Tay, Cherie Tse, SLO
Chorus & Youth Choir)

Puccini’s Madama Butterfly
• Scuoti quelle fronda di ciliegio (Zhang Jie, Chieko Sato)

Bizet’s Carmen
• La cloche a sonné (SLO Chorus)
• La fleur que tu m’avais (Jonathan Charles Tay)
• Les Voici! (SLO Chorus, Youth Choir & Children’s Choir)
• Votre toast (Martin Ng)

Verdi’s Aida
• Gloria all’Egitto (SLO Chorus, Youth Choir & Children’s Choir)

Verdi’s La Traviata
• Brindisi (All singers)

Programme not in order of performance. Artistes and programme subject to change. This concert is subject to weather conditions.

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Nancy Yuen Celebrates Her Career As An Opera Singer

In the lead-up to the Singapore Lyric Opera’s (SLO) Gala Concert which celebrates Nancy Yuen’s operatic career, I spoke to the soprano about her career and plans for SLO as artistic director. 

What was your first encounter of opera, and is there a specific event
that made you decide to become a professional opera singer?

I have always enjoyed singing on stage since the age of 7. As for opera performance, my first encounter was when I was around 20 years old—I was invited to sing one of the principal roles in a short opera called Le Cinesi by Gluck to orchestral accompaniment, which I thoroughly enjoyed. Since then, I decided to pursue my interest in the most serious form  by enrolling as a student at the Royal Academy of Music.

What are the challenges of being an opera singer today as compared to
when you first started out?

YouTube and the internet did not exist when I first started. We were all trained to attend as many performances as possible to watch the top artists at work,  observe the intricacies of stage craft, and absorb the whole ambiance inside the theatre during the performance.

Nowadays, a lot of singers watch opera performances on the internet and listen to the electronic sound coming out of the computers and mobile phones. They end up paying more attention to the facial expressions of the singers rather than the artistry. Unfortunately, as technology progresses, development of live performing arts somehow suffers as people have a difference preference to watching theatrical performances.

If you can only pick three highlights of your 30-year career, what
would it be?

My debut performance  which marked my transition from a student to being the prima donna in Madama Butterfly in 1988 with the Welsh National Opera. That was my biggest breakthrough.

Second, the standing ovation at the 4500-seater Royal Albert Hall in 2000, also as Madama Butterfly.

Another highlight was singing my first Wagnerian role as Senta in Der Fliegende Holländer in Singapore in 2016, which was tremendously thrilling. 

Under your leadership, SLO has been an advocate of bringing opera to
the masses. Why do you think it is important for more people to
experience opera?

Opera is the most complete art form of theatrical experience, with music, drama, sets, costumes, and lighting. They all come together to bring the audience into intricate worlds created by the composers and librettists with the help of directors, conductors, and singers.

We all need a little escape to the imaginary world from time to time. What’s more rewarding than to live through the experience of someone else on stage, shown through music and drama,  and sharing their passion while watching the tragedies or comedies unfold?

How did you go about planning the repertoire for this concert? Any
highlights that the audience should look out for?

All the music chosen in the concert are  from operas I have performed over the years. Many of them are iconic pieces that have been performed many times all over the world. They include highlights from Madama Butterfly, La Traviata, Carmen and La Boheme. The audience are guaranteed for a real treat as they will know most of the tunes and stories.

Any big plans for SLO in the coming years?

SLO will continue the work to promote operas, mounting large-scale opera productions, and doing more and more outreach programmes.

Our SLO Leow Siak Fah Artists’ Training Programme is going from strength to strength. We currently have nine participants working regularly to bring opera to the public, and helping more people appreciate the art of opera.


Gala Concert 2018: A Pearl Celebration for Soprano Nancy Yuen will be held on 9 November 2018 at the Esplanade Concert Hall. Tickets from $40 via Sistic.

Opera in the Park 2017: Interview with Conductor Joshua Tan

With this year being the tenth iteration of Opera in the Park, Singapore Lyric Opera (SLO) has curated a programme which celebrates the talent and energy of our youth. Featuring winners from the Open and Junior categories of the SLO-ASEAN Vocal Competition 2016, together with the SLO Chorus and Children’s Choir, Opera in the Park promises a selection of classical favourites that will entertain and delight the whole family. 

I contacted conductor Joshua Tan to find out more about this year’s programme. 

Joshua Tan

Could you explain the process of coming up with the programme for Opera in the Park?

Ms Nancy Yuen (Hon. Artistic Director) spoke to the singers, and discussed what will be suitable for their voices. Then we came together and agreed on the overall suitability of the program.  

With this being your seventh Opera in the Park, how has the show evolved over time? Any fond memories that stand out?

The SLO has always tried to showcase young talents for Opera in the Park, and my fondest memories or experiences have always been marvelling at how far all the previous singers have come.  

If you could only pick one favourite piece from this year’s programme, which one would it be and why? 

That’s an extremely difficult question! I like all of them. It’s almost impossible to choose a favourite. I love Puccini so you can put O Mio Babbino Caro on the list. At the same time, I love listening to other genres, so the selection from Phantom of the Opera also features. The Verdi selections showcase wonderful chorus writing, so that has to be in too!

You were one of the judges for the SLO-Asean Vocal Competition 2016. What are your impressions of the winners? Is there anything interesting that you’ve learnt about music from rehearsing with them? 

They were all very deserving winners, but it’s a long arduous road ahead for all of them. I did not rehearse with them for the competition, but listening to such fresh interpretations of familiar works certainly gives me some other ideas!

With this iteration being geared towards a celebration of youth, what do you think are some of the promises and challenges that the future will hold for upcoming opera singers and orchestra players? 

I don’t think that the challenges have changed so much throughout the years. There has always been immense competition for orchestral jobs, and professional engagements for opera singers are hard to come by for anyone who’s just starting out. For those on the cusp of a professional career, there are many sacrifices to be made since the very nature of the job demands one to be constantly on the move. 

Opera in the Park 

Conductor   Joshua Kangming Tan

Featuring winners from the Open and Junior categories of the SLO-ASEAN Vocal
Competition 2016

Open Category Winner    Izen Kong
Open Category Winner     Zhang Jie
Junior Category Winner    Lauren Yeo
Junior Category Winner    Melissa Hecker

With the Singapore Lyric Opera Orchestra, Chorus and Children’s Choir

Chorus Master    Terrence Toh

Children’s Choir Mistress    Rose Loh

Programme

Donizetti’s L’elisir d’amore
Overture
Bel conforto al mietitore

Rossini’s La Gazzetta, O lusinghiero amor

Bellini’s La Sonnambul , Ah! Non credea mirarti

Mozart’s Le Nozze di Figaro, Voi che sapete

Donizetti’s Don Pasquale, Com’è gentil

Puccini’s Gianni Schicchi, O mio babbino caro

Verdi’s Aida
Gloria all’Egitto
Egyptian March (Overture)
Vieni, o guerriero vindice

This concert is subject to weather conditions. Programme may not be in order of performance. Artistes and Programme are subject to change.

Opera in the Park is on Saturday, 17 July 2017, 6 p.m., at Singapore Botanical Gardens. Free admission. For more details, please visit Singapore Lyric Opera