I am honoured to be invited by Hawk Liu (singing teacher, singer, and actor) to share my thoughts on Cats by Andrew Lloyd Webber, brought to Singapore by Base Entertainment Asia.
Full details can be found on Hawk’s website.
In this spontaneous exchange, we talked about the background of the show; how it compares to previous stagings; and what we liked about the actual show that we watched on 19 December 2019.
♦ The Guardian article I was referring to is by Katherine Hughes on T. S. Eliot’s Old Possum’s Book of Practical Cats.
Dance / Movement
♦ While we spoke mainly of ballet, there were elements of tap dance, jazz, and contemporary in this musical.
♦ A key element in the musical is audience interaction. The cats were scampering from the audience onto the stage. It may be easy to stand up and do a few cat-like twitches of the head. But the actors actually crawled up and down the aisles. The embodiment here is wonderful.
♦ There was a strong synchronicity and control in the cast.
♦ Some may complain that the timbre of the music, with the multiple keyboards, may sound a little dated. But I think it still works for the musical as it creates an unnerving feeling created whenever Macavity is thought to be nearby.
♦ As with the dramaturgy, there is also a range of music styles present such as rock, music hall, pseudo-opera, and many more.
♦ “Memory” sung by Grizzabella is good, but slightly marred by the extreme jacking up of her mic’s sound level during the climax of the song. This limits the actor’s ability to expand her presence and voice. It becomes a little jarring.
More About Hawk Liu
Hawk has interviewed many actors and creatives of big musicals that were brought to Singapore. Visit his website to watch them.
If you are interested in singing, you can learn more about Hawk’s singing lessons here.